Naming just a few of the hilarious or wistful moments: Lynne Johnson makes you laugh out loud in her scene as a stoned Jenny. This is one of those productions (mark the seamless direction and choreography by director Wresinski) that’s so good you’re hard put to single out just one or two performances. He performs the signature “Being Alive” in just the way you always knew it could be sung, and it makes you feel like you’re hearing it for the first time. I swear, he’ll steal your soul with that voice. He stands a bit apart, casting eloquent looks of doubt or astonishment at the way his married friends carry on. You do not want to miss Zack Johnson’s star performance as the beleaguered Bobby, nailing that character’s “I’m-amiable-but-am-I-happy?” persona. He’s repeatedly unable to blow out his birthday candles, a hint that he’s not yet ready to wish for a change. Each scene is viewed through the lens of visits with his married friends, who alternately berate and celebrate him for his single status, and waver between jealousy at his freedom and reproach that he hasn’t yet joined the marriage team. “Company” proceeds without a chronological plotline, as a series of quicksilver vignettes, continual retakes of Bobby’s birthday, as he sees, and re-sees, his own reluctance to commit to a marriage relationship. Music and lyrics by Stephen Sondheim, book by George Furth directed by Donna Wresinski performed by Eventide Theatre Company. offering glimpses of commitment-phobic Bobby trying to decide why he can't move forward as he celebrates his 35th birthday.Įnjoy this knockout show, performed by a powerhouse ensemble cast. But the consistently good acting and interacting is a tribute to director Donna Wresinski's guidance.This season marks Eventide Theatre Company’s 25th anniversary, and its presentation of the multi-award-winning musical “Company, “ through May 21, is spot-on. Winner of multiple awards, including the Olivier and Critics' Circle Awards for Best New Play, the Evening Standard Best Play Award and the Susan Smith Blackburn Prize, Chimerica is 'gloriously rich and mind-expanding' (Guardian), and a 'tremendously bold piece of writing' (Evening Standard).Eventide Theatre Company's production of Stephen Sondhein's "Company" is well cast with a talented ensemble. The volume concludes with Chimerica (Almeida Theatre and West End, 2013), a gripping and provocative examination of the shifting balance of power between East and West. ![]() ![]() The sharply satirical NSFW (Royal Court, 2012) is a 'richly absorbing and inventive' (Telegraph) look at power games, privacy and gender politics in the media. The previously unpublished small hours (Hampstead Theatre, 2011), a collaboration with Ed Hime, directed by Katie Mitchell, is an intimate dissection of the claustrophobic world of a new mother struggling to cope on her own. Written for Clean Break theatre company, it felt empty when the heart went at first but it is alright now (Arcola Theatre, 2009 winner of the John Whiting Award) is a devastating report from the hidden world of Eastern European women trafficked to London to work in the sex industry. This collection, with an introduction by the author, brings together five of her plays, starting with the wild and riotously funny farce, Tinderbox (Bush Theatre, 2008), a disturbing vision of a dystopian future where England is dissolving into the sea, realised with 'off-kilter imaginative flair' (The Times). Since her debut in 2008, Lucy Kirkwood has firmly established herself as a leading playwright of her generation, the writer of a series of savagely funny, highly intelligent and beautifully observed plays that tackle the pressing issues of our times.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |